GoodBAMMSho’s Coming Out Party at the Live Oak Music Hall & Lounge [Review]

Friday night the Live Oak Music Hall & Lounge hosted the GoodBAMMSho launch party with 4 talented Texas bands, and a whole lotta rock and roll.

The good folks at GoodBAMMSho have been kind enough to post my musical ramblings of some of the best shows coming through the DFW area. So, of course I wouldn’t have missed out on the opportunity to check out some great live music at one of Ft. Worth’s newest venues. First things first, the venue was a perfect choice for the festivities. Equipped with a rooftop patio and enough beers on tap to keep you occupied all night, some sleek decor and a spacious music hall, I might have to add this to my list of places to play soon!

Starting off the night was Dallas’ own, The Red 100’s. The 2011 “Best Blues Act [Dallas Observer]” definitely came to put on a show. The high energy trio made up for the lack of energy in the audience onstage with broken guitar strings & heart pounding tunes. These guys played their asses off.

Drummer Kyle Scheumack started things off vocally before passing the torch to the remaining members throughout the course of the set. Unfortunately the crowd seemed perfectly comfortable in their seats until guitarist Robbie D Love reminded everyone this was a rock show. When you thought they couldn’t get any more energetic they rose to the occasion once everyone decided to stretch their legs and come to the front of the stage.

Meshing a unique blend of blues and rock, even throwing in an ear busting cover of Johnny Be Good, these guys might not be at the top of my list of vocal stewards, but damn they sure can play.

Shifting the night to a more rockabilly/classic rock vibe were Dallas based rockers, The Roomsounds. The first time I saw these guys was at the La Grange in Deep Ellum, opening for Morning Teleportation. I liked them then and I really like them now.

Everything about these guys is in sync. From the opening song, to their denim and boots, you can really feel the synergy of the group down to the last tune. With a new album available for download and a slew of performances scheduled throughout the remainder of 2012, you’ll definitely catch me at another Roomsounds show soon.

What’s Ft. Worth without some country music? The third band of the night, The Will Callers, definitely brought an interesting twist to modern day Americana/Country music. By no means am I an expert on the subject but I will say, these guys had me intrigued from the start.

Once I got past the amazing 50’s inspired look of the band my eyes went directly to guitarist Justin Elliott. From his straw hat to his flaming shoes this guy wins the prize for most animated. Aside from being an amazing musician you could feel the energy he was putting out from the stage.

Not to take away from the rest of the group, this band was magnetic. Finally getting some people out of their seat, lead singer Jake Murphy’s classic voice was laced with the perfect amount of country twang. It’s exciting to come out to local shows and see the massive amount of talent we have in this city, and The Will Callers were no exception.

Closing out a night full of some very talented musicians was Canadian/Austin duo Black Pistol Fire. There’s really no other way I can describe these guys other then simply…amazing.

It’s impossible not to make an immediate comparison to Rock’s favorite duo of the year, The Black Keys, with their gritty guitar and hard pounding drum beats…these guys were something else. In an industry mired with over-production it’s refreshing to see two musicians completely turn a venue inside out with a guitar and set of drums.

Guitarist and frontman Kevin McKeown lit up the stage alongside drummer Eric Owen. Playing so hard to the point Owen knocked over his drums, these guys owned the night. Tearing through a slew of garage rock/blues tunes, remnants of Dan Auerbach and The White Stripes could be heard in McKeown’s vocal chops.

I couldn’t have chosen a better band to close out a great night of local music. Even coming back on stage for an encore these guys knew what the crowd wanted, and they delivered 1000% percent.

Congrats to GoodBAMMSho on their official launch and thanks Mac for putting on a great event! Until next time.

Happy Listening!


Song of the Day: Santigold and Her Dancing Divas at the House of Blues Dallas [Review]

Mother nature couldn’t have picked a better night to wash the city clean then Wednesday [insert extreme sarcasm here]. Severe thunderstorms and flash flooding aside I slipped on my concert wear, hooked an umbrella to my arm and dragged my music loving a@# to the House of Blues.

Hot off the release of her long awaited sophomore album, Master of My Make-Believe, Santigold, AKA Santi White, finally made it back to the HOB stage after three years and a name change (formerly Santogold). In today’s fast paced, “I want everything now” society it’s almost unheard of to wait three years for an artist to release an album, let alone their second. But there’s something to be said about the wait…the anticipation of new music and the constant search for news or info on what your favorite artists are up to. For me, the wait has been painful because yes, I secretly wish I was the third back-up dancer to Santigold, or even just a fly on the wall during her writing and recording sessions. I guess you could say I’m a bit of a fan.

Drawing the usual young and diverse crowd, this was the perfect venue for Ms. White. Large enough to pack a crowd yet intimate enough to feel the energy in the back of the house, this is the type of show I love to see at the House of Blues. My expectations were definitely high considering the brilliance of her 2009 tour and even though Master of my Make-Believe didn’t wow me as much as her debut effort, I was anxious to see how the new blended with the old.

The musicians took the stage flanked in what I would call tribal safari gear, followed by the secret sauce of Santi’s shows, her background dancers. More on them later…

The show opened with Go!, track one of her latest release that features the AMAZING  Karen O. from the Yeah Yeah Yeahs. No, Karen did not make an appearance (that would have been epic) but Santigold carried the tune off beautifully, making you completely forget this was intended for two truly distinct female vocalists. No time was wasted getting to tracks of her debut, Santogold,  and I must say, the two albums blended perfectly together.

Mired with technical issues in the beginning White made repeated trips to the side of the stage to converse with the sound booth but overall the group handled it beautifully. The only annoyance with the technical difficulties was the revelation of the backing tracks being played with the music. No hate here, I understand this type of music can be hard to pull off without them, but I like to remain a naive concert goer and believe every sound effect is achieved live. Moments of frustration were seen on Ms. White’s face but she moved on like a pro and continued to amp up the crowd with an ease and grace you rarely see in a live performer. And yes, the backing tracks seemed to fade away once the sound problems were fixed.

Track after track from L.E.S. Artistes to Disparate Youth, Big Mouth and Freak Like Me it was a shame I was packed like a sardine in general admission because you can’t help but want to dance your ass off. That leads me to one of my favorite parts of the show, Santigold’s duo of stone faced, scintillating dancers, the SG-1’s. Perfectly choreographed, unabashedly sexy and all without cracking a smile these chicks are visual perfection. I found myself staring at the SG-1’s at times more then White herself and anxiously waiting to see what they would morph into next. Multiple outfit changes later (for the entire band), a giant horse, psychedelic umbrellas and enough booty shaking that Sir Mix a Lot would approve, this might just be the must see show of the summer.

A delicious blend of rock, pop, new wave, indie and probably a dozen other genres you could reference in her music, Santigold knows how to bring nothing but fun to the stage, literally. Selecting an energetic group from the crowd White turned the stage into a dance club, but not before instructing the fame hungry patrons to move back so the show could still go on. In true rock star style she sang, danced and endured a plethora of leg humps during her ultra popular hit Creator.

The night ended with a Spank Rock special, B.O.O.T.A.Y and the opportunity for the SG-1’s to impress me yet again with their..uh hummm…dancing magic. Santigold put on a stellar HOB show while solidifying my admiration for the multidimensional artist and her troupe of dancing divas.

Disparate Youth:


To check out more of my reviews head over to GoodBAMMSho!

KXT Summer Cut: An Ecelctic Fun Fest [Review]

Friday night publicly funded station KXT 91.7 pulled together an eclectic group of musicians for the first annual Happy Funtime Fest. Two stages, 9 bands and a few food trucks turned the Gexa Energy Pavilion into a mini festival. Thanks to the fabulous peeps here at GoodBAMMSho not only was I on hand to soak in all the tunes, but I had the incredible opportunity to play photog for a night in the press pit!

Playing on the main stage were Telegraph Canyon, Clap Your Hands Say Yeah, Fitz & The Tantrums, St. Vincent, and headliners The Flaming Lips. A small area by the concessions was carved out for Walk Off The Earth, Quiet Corral, Smile Smile and Air Review on the second stage.

The ode to summer bash started with a sparse crowd that was as unique as the night’s lineup. To get the night going I headed to the press pit in all my Canon Rebel glory to check out Fitz & The Tantrums. This energetic group of 6 come out in full force, dressed to impress and ready to get the crowd moving. Immediately you could sense the electric chemistry between front man Fitz and co-vocalist, Noelle Scaggs. Despite the Texas heat Scaggs tirelessly worked the crowd, tambourine in hand, track after track.

Playing songs off their debut album, Pickin’ up the Pieces, the Tantrums found a way to blend the old school styling of Motown and modern day soul, against playful dance beats meshing perfectly with Fitz and Scaggs’ chemistry.

The highlight of the night was seeing Indie darlings St. Vincent for the first time. Shamefully I’m a little late to the game when it comes to the Texas native. Only hearing a few tracks off their latest release Strange Mercy before the show, I was completely mesmerized by front woman Annie Clark.

Minus a few technical hiccups the four piece group filled the simplified stage beautifully with Annie’s subtle vocals and electrifying guitar riffs.This chick can seriously rock out with the best of them. Her guitar skills blew me away. If her quirky back shuffle didn’t instantly win you over then it was her leap into the crowd, microphone in hand, for an entire song of crowd surfing.

From their most popular tunes, Cruel and Cheerleader, to the cover of She is Beyond Good and Evil from the British punk group, The Pop Group, St. Vincent was the perfect appetizer to the night’s headlining act.

Originally from Norman, Oklahoma I’ve heard of The Flaming Lips most my life, but I haven’t had the pleasure of seeing them live until now. I’ve heard from countless people that they are a must see live, but what I wasn’t ready for was the sheer madness that was about to explode on stage.

Unlike a typical rock star waiting to make a big entrance, frontman Wayne Coyne was front and center almost the entire time the stage was being set for the show. Helping with the setup, giving the audience safety tips and even posing for some self-portraits against the swarm of people, Wayne’s love of the stage is infectious.

The lights dimmed and the video monitor displayed a rainbow of color that would serve as the grand entrance of the band, that is everyone except Coyne himself. It wouldn’t be a Flaming Lips show if Wayne didn’t make his debut in a giant inflated bubble. Confetti fell, giant balloons ascended upon the crowd, colorful smoke exploded in the air and a mob of gitty school girls filled the stage. I fought the smoke and debris for pics but not before becoming completely entrenched in the psychedelic atmosphere that only the Lips could create.

Despite a smaller then usual crowd for so many acts, overall, the first annual Summer Cut Fest was a fun way for KXT to celebrate three years on the air.

Check out more reviews and concert updates at GoodBAMMSho!

Song of the Day: Morning Teleportation “Just a Figment” [Review]

Morning Teleportation

I’m doing things a little different for today’s Song of the Day. Last Wednesday I reviewed a local show for GoodBAMMSho in Deep Ellum and was pleasantly surprised by the night’s lineup. Philly foursome Nicos Gun, local Dallas boys The Roomsounds, and Isaac Brock’s (of Modest Mouse fame) pet project, Morning Teleportation were an impressive group of young musicians.

My favorite of the night was headliner Morning Teleportation. Their distinct sound really caught my attention for reasons that you’ll just have to read below (how about that transition). So check out a track off their 2011 release, Expanding Anyway, and read up on the other stellar bands of the night.

Just a Figment: 

Nicos Gun

Wednesday night brought three very different yet seamlessly connected bands to the LaGrange in Deep Ellum. The last few times I’ve ventured down the tattooed streets of the once bustling local music scene, a little bit of hope is restored for music in Dallas. The LaGrange is a quaint and hip music spot perfect enough to fill a herd of music lovers into its sophisticated ambiance. It’s been serving up local tunes and Tex-Mex for a few years now but to me, I’ve found a new spot to check out the hungry and talented (musically speaking of course).

Wednesday’s event was sponsored by the fabulous peeps at Blackbox Presents and GoodBAMMSho. Opening the night was philly foursome Nicos Gun. Permeating the dark streets with their electro infused beats it made for a grand entrance into the club. The crowd was small but it didn’t prevent them from putting on a hell of a good set.

Continue reading >> Nicos Gun, The Roomsounds, Morning Teleportation & a Whole Lotta Smoke
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